Bach Bibliography
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Series : ^KunitachiColMResearchInstBul$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Geck, MartinEnso Kiroku 'Kuno no atoni Nagusame o': Katoki no Beethoven ni okeru Bach no Eikyo. 'Auf Leid folgt Trost' - Beethoven in Übergangszeit. Trans. Itsuko Fujimoto. KunitachiColMResearchInstBul 14 2000 161-168
2. Isoyama, TadashiBach Enso no Shomondai. Ensoshi o Kaiko shitsutsu. [On various problems of Performing Bach: reflecting on the performance history] KunitachiColMResearchInstBul 21 Mar 2009 139-145
3. Imai, Akira'Bach no Enso Kaishaku' ['Interpreting Bach's Perforance'] KunitachiColMResearchInstBul 21 Mar 2009 147-157
4. Tomita, YoBach no Jihitsufu kara Wareware wa Nani o manaberu ka. Ensosha to Kenkyusha no Eien no Kadai. [What can we learn from Bach's autograph manuscripts? An eternal question of performers and musicologists] KunitachiColMResearchInstBul 21 Mar 2009 159-174
5. Sato, MaiChoral 'Kokoro kara Anata o aishimasu' o meguru, 4-Sakka no Sakuhin. [Chorale 'Herzlich lieb hab ich dich, o Herr' by four composers] KunitachiColMResearchInstBul 21 Mar 2009 175-182
6. Otsuka, NaoyaBach ni totte no 'Klavir' Koen Kiroku [Lecture note: What 'Klavier' meant for Bach] KunitachiColMResearchInstBul 22 Mar 2010 67-81
7. Kato, IchiroBach to Tempo rubato: Sho Onkei ni okeru Tempo no Henka ni kansuru Kenkyu. [Bach and tempo rubato: a study of change of tempi at figure level] KunitachiColMResearchInstBul 22 Mar 2010 83-105
8. Tomita, YoOrijinaru Shiryo kara manabu Bach no 'Partita' Dai-2-ban to Dai-6-ban. [Learning Bach's Partitas Nos. 2 and 6 from the original sources] KunitachiColMResearchInstBul 22 Mar 2010 107-131
9. Watanabe, YoshioBach no Kumikyoku to 'Partita' [Bach's suites and 'Partita'] KunitachiColMResearchInstBul 22 Mar 2010 133-159
10. Isoyama, TadashiMotetto 'Iesu yo, Watashi no Yorokobi' BWV 227 o megutte. [J. S. Bach's Motet 'Jesu, meine Freude' BWV 227] KunitachiColMResearchInstBul 22 Mar 2010 161-175
11. [Isoyama, Tadashi]Joshua Rifkin Sensei no Kokai Lesson to 'Matai' Joen o furikaette. Zadankai - Tadashi Isoyama and his students [Roundtable: Joshua Rifkin's masterclass and his performance of St Matthew Passion] KunitachiColMResearchInstBul 22 Mar 2010 177-188
12. Tomita, Yo'Goldberg Hensokyoku' no Seiritsu wo megutte: Gendai ni okeru Pianist e no Ichiteigen. [On the origin of 'Goldberg Variations': a suggestion for today's pianists] KunitachiColMResearchInstBul 23 Mar 2011 91-115
13. Rifkin, JoshuaBach no Kumon, Watashi no Kuto = Bach's Struggle ... and Mine. Trans. Tadashi Isoyama. KunitachiColMResearchInstBul 24 Mar 2012 125-144
14. Tomita, Yo'Rotancho Misakyoku' to Bach Kenkyu: Sakuhin no Densho to Gakufu Henshushi kara miru Kenkyujo no Shomondai. [The B-minor Mass and Bach Research: Various research questions posed by the work's transmission and the history of editing] KunitachiColMResearchInstBul 24 Mar 2012 145-182
15. Isoyama, TadashiNihon Shoen to Honjitsu no Koen -- 80-Nen o hasande. Programme note [Japan premiere and today's performance -- between 80 years.] KunitachiColMResearchInstBul 24 Mar 2012 184-185
16. Isoyama, TadashiSakuhin Kaisetsu. Programme Note [Commentary of the work] [BWV 232] KunitachiColMResearchInstBul 24 Mar 2012 186-191
17. Oyama, MayumiDai-1-Kai (4 Gatsu 11 Nichi): J. S. Bach no Klavier Ongaku ni okeru Tayo na Yoshiki: Kyosokyoku Yoshiki o Chushin ni. [No.1 (11 April): Various styles among the keyboard works of J.S. Bach: focusing on concerto style] KunitachiColMResearchInstBul 25 2012 95-99
18. Kubota, KeiichiDai-2-Kai (4 Gatsu 25 Nichi): C. P. E. Bach 'Clavier Soho'. [No.2 (25 April): C. P. E. Bach's Versuch] KunitachiColMResearchInstBul 25 2012 100-104
19. Otsuka, NaoyaDai-3-Kai (5 Gatsu 9 Nichi): Gakufu kara Enso e: J. S. Bach no Clavier Sakuhin o Chembalo de hiku Baai. [No.3 (9 May): From score to performance: when performing J. S. Bach's keyboard works on the harpsichord] KunitachiColMResearchInstBul 25 2012 105-109
20. Kondo, NobukoDai-4-Kai (5 Gatsu 23 Nichi): Bach Ensoron (piano): Heikinritsu Klavier Kyokushu Dai-2-Kan ni tsuite. [No.4 (23 May): On Performing Bach (piano): about The Well-Tempered Clavier II] KunitachiColMResearchInstBul 25 2012 116-122
21. Hisamoto, YukoDai-7-Kai (7 Gatsu 4 Nichi): Mozart Ensoron I: Mozart to Futari no Bach. [No.7 (4 July): On Performing Mozart I: Mozart and 2 Bachs] KunitachiColMResearchInstBul 25 2012 133-140
22. Yamamura, KaoruDai-14-Kai (11 Gatsu 21 Nichi): 18 Seiki no Kenban Ongaku o Enso suru ni atatte: Ongaku to Rhetoric (Shujigaku) [No.14 (21 November): on performing the 18th-century keyboard works: Music and Rhetoric] KunitachiColMResearchInstBul 25 2012 183-187

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